INDO the Mural Artist
We design walls & blank spaces
into cultural landmarks throughout NSW & Queensland Australia
Business Hours
Monday - Saturday
10am - 3pm
Telephone
0415 095 365
We design walls & blank spaces
into cultural landmarks throughout NSW & Queensland Australia
Business Hours
Monday - Saturday
10am - 3pm
Telephone
0415 095 365
Akaysha Brendale Mural
Location: Brendale North Brisbane Queensland
1 Bradford Ct, Brendale QLD 4500
Mural Wall Size: 8m x 50m ( 400 square Meters )
Turn Around time: 8 days
Brendale Noise Wall Mural
INDO the Artist × Akaysha EnergyThe Brendale Mural is a landmark public art commission
realised by INDO the Artist (Patrick Edward Indo) for Akaysha Energy’s Brendale Battery Energy Storage System (BESS) in Brendale, Queensland. This project transforms a utilitarian infrastructure element
into a bold visual narrative that resonates with community, environment, and innovation.
Context & PurposeAkaysha Energy a leader in renewable energy infrastructure invited artists to reimagine a 50-metre-long, 8-metre-high noise wall adjacent to the Brendale BESS site. Rather than leaving the wall as a blank industrial surface, the intent was to create a work that:
The commission emphasised bold patterns and meaningful storytelling, inviting artists to
draw inspiration from nature, renewable energy, and local cultural narratives.
INDO’s Vision & DesignSelected as the winning artist for the Expression of Interest, INDO the Artist developed a concept rooted in transformation and resilience.
The mural unfolds like a visual metaphor:
Community & Cultural ImpactFrom the outset, Akaysha Energy incorporated community consultation into the design process, inviting local feedback to ensure the artwork resonated with its neighbours and reflected shared values.
Since completion, the mural has been celebrated by locals as:
Why It Matters
This mural is more than decoration it’s a strategic fusion of art, place-making, and sustainability storytelling. In the context of the Brendale BESS one of Queensland’s major renewable energy assets the artwork:
Arts Mid north Coast Article
https://artsmidnorthcoast.com/local-crescent-head-artist-stuns-qld-with-50-meter-mural-painted-solo-in-just-8-days/
Akaysha Energy Website
https://community.akayshaenergy.com/brendale-bess/artist-winner-patrick-indo
1 Bradford Ct, Brendale QLD 4500
Mural Wall Size: 8m x 50m ( 400 square Meters )
Turn Around time: 8 days
Brendale Noise Wall Mural
INDO the Artist × Akaysha EnergyThe Brendale Mural is a landmark public art commission
realised by INDO the Artist (Patrick Edward Indo) for Akaysha Energy’s Brendale Battery Energy Storage System (BESS) in Brendale, Queensland. This project transforms a utilitarian infrastructure element
into a bold visual narrative that resonates with community, environment, and innovation.
Context & PurposeAkaysha Energy a leader in renewable energy infrastructure invited artists to reimagine a 50-metre-long, 8-metre-high noise wall adjacent to the Brendale BESS site. Rather than leaving the wall as a blank industrial surface, the intent was to create a work that:
- Enhances the aesthetic quality of the industrial precinct.
- Reflects themes of sustainability, growth, and community connection.
- Acts as a visual landmark for residents, workers, and passers-by near the Wantima Golf Course and surrounding streets.
The commission emphasised bold patterns and meaningful storytelling, inviting artists to
draw inspiration from nature, renewable energy, and local cultural narratives.
INDO’s Vision & DesignSelected as the winning artist for the Expression of Interest, INDO the Artist developed a concept rooted in transformation and resilience.
The mural unfolds like a visual metaphor:
- It charts the journey of a seed growing into a thriving tree a powerful symbol of regeneration, resilience, and the clean-energy future Queensland is building toward.
- The dominant palette of greens and natural tones evokes growth, sustainability,
- Through expansive scale and dynamic composition, the artwork turns the noise wall into a public poem of energy and hope where industrial infrastructure meets human aspiration.
Community & Cultural ImpactFrom the outset, Akaysha Energy incorporated community consultation into the design process, inviting local feedback to ensure the artwork resonated with its neighbours and reflected shared values.
Since completion, the mural has been celebrated by locals as:
- A visual uplift to an industrial landscape.
- A symbol of optimism aligned with the region’s clean-energy transition.
- A piece that brings identity and pride to Brendale, enhancing the everyday experience of the community.
Why It Matters
This mural is more than decoration it’s a strategic fusion of art, place-making, and sustainability storytelling. In the context of the Brendale BESS one of Queensland’s major renewable energy assets the artwork:
- Humanises large-scale energy infrastructure.
- Reinforces Akaysha Energy’s commitment to community engagement and visual placemaking.
- Demonstrates how public art can elevate industrial spaces into cultural assets that resonate long after installation
Arts Mid north Coast Article
https://artsmidnorthcoast.com/local-crescent-head-artist-stuns-qld-with-50-meter-mural-painted-solo-in-just-8-days/
Akaysha Energy Website
https://community.akayshaenergy.com/brendale-bess/artist-winner-patrick-indo
Dweeb City Enmore Mural
Location: Military Rd Enmore Sydney Australia
Mural Wall Size: 17m x 7.5m ( 127.5 square Meters )
Turn Around time: 4 days
Mural Wall Size: 17m x 7.5m ( 127.5 square Meters )
Turn Around time: 4 days
In the vibrant urban tapestry of Sydney’s Inner West, “Dweeb City” stands as a bold testament to creative storytelling through large-scale public art. Painted in 2023 by INDO the Artist, this expansive mural occupies the entire side wall of a two-storey terrace at 1 Metropolitan Road, Enmore, transforming a residential façade into a visual landmark that resonates with the spirit of the local community.
At approximately 17 metres wide and 7.5 metres high, Dweeb City is an immersive work of street art that blends pop-art sensibilities with cultural relevance. Commissioned through the Inner West Council’s public art initiatives, the mural celebrates a fictional, self-described “girl band from space” the eponymous Dweeb City depicted in a dynamic graphic style defined by high-contrast colours and bold
compositional energy.
Rather than simply decorating a wall, the piece captures and amplifies the identity of Enmore’s live music and creative culture. With its limited yet vibrant palette featuring striking pinks, purples, greens, yellows, blues, black and white the mural evokes the electric energy of the Inner West’s performance venues, laneway culture, and DIY ethos.
Central to the work is its graphic storytelling: the band members are rendered with stylised features and expressive forms that mirror their imagined alter egos, blending punk attitude with a psychedelic aesthetic. Text woven into the imagery words like Inspire, Love, Girl Power, Kindred Spirits, Hope, and Happiness reinforces the mural’s thematic focus on community, empowerment, and shared cultural values.
Strategically placed just behind Enmore Road’s bustling strip of restaurants, bars and live music venues, Dweeb City does more than enliven a neighbourhood wall it anchors a sense of place. Passersby encounter an artwork that feels both rooted in its locale and expansive in its imaginative scope.
Executed with precision and professionalism, the mural was completed in a remarkably efficient timeframe, showcasing INDO’s capacity to deliver large-format works with clarity and impact. Its presence has
since become a point of pride for locals and a destination piece for visitors exploring Sydney’s
rich street-art scene.
In summary, Dweeb City exemplifies how contemporary muralism can do more than beautify it can reflect cultural narratives, spark dialogue, and elevate everyday environments into meaningful, shared experiences. Through considered composition, vibrant palette, and narrative depth, INDO the Artist has created a work that is as visually striking as it is contextually resonant.
At approximately 17 metres wide and 7.5 metres high, Dweeb City is an immersive work of street art that blends pop-art sensibilities with cultural relevance. Commissioned through the Inner West Council’s public art initiatives, the mural celebrates a fictional, self-described “girl band from space” the eponymous Dweeb City depicted in a dynamic graphic style defined by high-contrast colours and bold
compositional energy.
Rather than simply decorating a wall, the piece captures and amplifies the identity of Enmore’s live music and creative culture. With its limited yet vibrant palette featuring striking pinks, purples, greens, yellows, blues, black and white the mural evokes the electric energy of the Inner West’s performance venues, laneway culture, and DIY ethos.
Central to the work is its graphic storytelling: the band members are rendered with stylised features and expressive forms that mirror their imagined alter egos, blending punk attitude with a psychedelic aesthetic. Text woven into the imagery words like Inspire, Love, Girl Power, Kindred Spirits, Hope, and Happiness reinforces the mural’s thematic focus on community, empowerment, and shared cultural values.
Strategically placed just behind Enmore Road’s bustling strip of restaurants, bars and live music venues, Dweeb City does more than enliven a neighbourhood wall it anchors a sense of place. Passersby encounter an artwork that feels both rooted in its locale and expansive in its imaginative scope.
Executed with precision and professionalism, the mural was completed in a remarkably efficient timeframe, showcasing INDO’s capacity to deliver large-format works with clarity and impact. Its presence has
since become a point of pride for locals and a destination piece for visitors exploring Sydney’s
rich street-art scene.
In summary, Dweeb City exemplifies how contemporary muralism can do more than beautify it can reflect cultural narratives, spark dialogue, and elevate everyday environments into meaningful, shared experiences. Through considered composition, vibrant palette, and narrative depth, INDO the Artist has created a work that is as visually striking as it is contextually resonant.
"This piece was about elevating local culture placing women front and centre and transforming a once dirty, neglected laneway into a living, breathing outdoor gallery.
At its core, the work is layered with intention. Symbolism runs throughout celebrating feminine strength, love, music, and creative energy while embedding subtle details like the founding date of Enmore, anchoring the piece in its local identity. These quieter elements are deliberate. Hidden moments designed for discovery. The kind that invite people back for a second look, then a third each time revealing something new. That’s where depth lives.
The visual language is unapologetically bold. It doesn’t whisper it announces itself. It commands attention, cuts through the noise, and shifts the energy of the space. There’s a confidence to it. A presence that says: this place matters now.
From every angle, it delivers culture, colour, and a sense of movement turning a forgotten laneway
into a urban city destination."
At its core, the work is layered with intention. Symbolism runs throughout celebrating feminine strength, love, music, and creative energy while embedding subtle details like the founding date of Enmore, anchoring the piece in its local identity. These quieter elements are deliberate. Hidden moments designed for discovery. The kind that invite people back for a second look, then a third each time revealing something new. That’s where depth lives.
The visual language is unapologetically bold. It doesn’t whisper it announces itself. It commands attention, cuts through the noise, and shifts the energy of the space. There’s a confidence to it. A presence that says: this place matters now.
From every angle, it delivers culture, colour, and a sense of movement turning a forgotten laneway
into a urban city destination."
Inner west Sydney
https://www.innerwest.nsw.gov.au/dweeb-city
https://www.innerwest.nsw.gov.au/dweeb-city
Kendall Skate Park Mural
Location: Kendall NSW Australia
Mural Wall Size: ( 715 square Meters )
Turn Around time: 10 days
Mural Wall Size: ( 715 square Meters )
Turn Around time: 10 days
At Kendall Skate Park, INDO doesn’t just paint a surface he completes a vision set in motion by council, community, and culture.
Commissioned as part of the broader redevelopment led by Port Macquarie-Hastings Council, the mural forms a central layer of a $600K+ public infrastructure project designed to revitalise a once-underutilised site into a thriving youth destination.
What stands today is not just a skate park it’s a fully realised community asset, brought to life through art.
A Council-Led Vision Executed at Street LevelThe brief from council was clear:
Create a “contemporary and striking design” that connects to place, engages youth culture, and can withstand a high-use environment.
INDO delivered.
Spanning over 715sqm of active skate terrain, the mural integrates seamlessly across bowls, ramps, and transitions enhancing the space without compromising performance.
The result is a living canvas that evolves with motion.
From Disused Site Cultural DestinationBuilt on the former Kendall Tennis Club courts, the project was designed to reinvigorate a dormant space and meet growing community demand.
INDO’s mural became the visual anchor of that transformation.
A “vibrant mural… covering the entirety of the park” turned the site into a skateboarding haven.
Commissioned as part of the broader redevelopment led by Port Macquarie-Hastings Council, the mural forms a central layer of a $600K+ public infrastructure project designed to revitalise a once-underutilised site into a thriving youth destination.
What stands today is not just a skate park it’s a fully realised community asset, brought to life through art.
A Council-Led Vision Executed at Street LevelThe brief from council was clear:
Create a “contemporary and striking design” that connects to place, engages youth culture, and can withstand a high-use environment.
INDO delivered.
Spanning over 715sqm of active skate terrain, the mural integrates seamlessly across bowls, ramps, and transitions enhancing the space without compromising performance.
The result is a living canvas that evolves with motion.
From Disused Site Cultural DestinationBuilt on the former Kendall Tennis Club courts, the project was designed to reinvigorate a dormant space and meet growing community demand.
INDO’s mural became the visual anchor of that transformation.
A “vibrant mural… covering the entirety of the park” turned the site into a skateboarding haven.
"having grown up surfing and skateboarding, this was a dream come true".
Abby Koala Conservation Mural
Location: Crescent Head Northern NSW
Mural Wall Size: ( 70 square Meters )
Turn Around time: 8 days
Commissioned by Port Macquarie Koala Hospital & Kempsey Shire Council, the Koala mural by INDO the artist forms part of the broader Koalas in the Macleay initiative an integrated approach to public art, conservation, and community awareness.
Located in Crescent Head, the mural transforms a functional public structure into a visual landmark anchoring environmental messaging within everyday space.
The project gained public traction through council channels, where it was shared across social platforms, highlighting both the artwork and the artist behind it. In their official Facebook post, council draws direct attention to the mural’s presence and authorship, noting it was “designed by a local artist, INDO”
What’s clear is this: the work isn’t positioned as decoration. It’s framed as civic communication.
The mural speaks to a larger narrative. Koalas in this region are not abstract symbols they are part of a fragile, real ecosystem under pressure. The artwork captures that tension with clarity and restraint, balancing aesthetic strength with environmental intent.
From a council perspective, the outcome is strategic. A once overlooked amenities building becomes
a point of engagement. A message that might otherwise be ignored is now unavoidable.
From an artist’s perspective, it demonstrates control. Not just of style but of meaning, placement,
and impact.
This is where public art shifts category. From paint on a wall to infrastructure for awareness,
identity, and action.
National Tribune
nationaltribune.com.au/koalas-in-macleay-mural-project/?utm_source=chatgpt.com
Kempsey Shire Council
https://www.kempsey.nsw.gov.au/Your-Council/Council-news-public-notices/Council-news-updates/Koalas-in-the-Macleay-Mural-Project
Mural Wall Size: ( 70 square Meters )
Turn Around time: 8 days
Commissioned by Port Macquarie Koala Hospital & Kempsey Shire Council, the Koala mural by INDO the artist forms part of the broader Koalas in the Macleay initiative an integrated approach to public art, conservation, and community awareness.
Located in Crescent Head, the mural transforms a functional public structure into a visual landmark anchoring environmental messaging within everyday space.
The project gained public traction through council channels, where it was shared across social platforms, highlighting both the artwork and the artist behind it. In their official Facebook post, council draws direct attention to the mural’s presence and authorship, noting it was “designed by a local artist, INDO”
What’s clear is this: the work isn’t positioned as decoration. It’s framed as civic communication.
The mural speaks to a larger narrative. Koalas in this region are not abstract symbols they are part of a fragile, real ecosystem under pressure. The artwork captures that tension with clarity and restraint, balancing aesthetic strength with environmental intent.
From a council perspective, the outcome is strategic. A once overlooked amenities building becomes
a point of engagement. A message that might otherwise be ignored is now unavoidable.
From an artist’s perspective, it demonstrates control. Not just of style but of meaning, placement,
and impact.
This is where public art shifts category. From paint on a wall to infrastructure for awareness,
identity, and action.
National Tribune
nationaltribune.com.au/koalas-in-macleay-mural-project/?utm_source=chatgpt.com
Kempsey Shire Council
https://www.kempsey.nsw.gov.au/Your-Council/Council-news-public-notices/Council-news-updates/Koalas-in-the-Macleay-Mural-Project
Phillips Lane Mural
Location: Phillips Lane Port Macquarie NSW
Mural Wall Size: 27m x 3m ( 81 square Meters )
Turn Around time: 5 days
In the heart of Port Macquarie, a once overlooked service corridor has been transformed into a high impact cultural destination. The Phillips Lane mural project, led by Port Macquarie-Hastings Council and supported by the Transport for NSW, represents a clear evolution in how cities think about public space.
This is not beautification. This is urban strategy through art.
Funded With Intent
Where the Project Came FromThe activation of Phillips Lane, including INDO’s mural, was made possible through NSW Government placemaking funding, specifically programs such as the Permit Plug and Play Pilot Program delivered via Transport for NSW.
The objective was precise:
Reimagine underutilised urban spaces, Increase foot traffic and local economic activity,
Support creative industries, Build Insta worthy destinations that amplify organically
This positions the project as more than a creative exercise. It is government backed cultural infrastructure.
The INDO Contribution
Built for InteractionAt the centre of Phillips Lane sits the work of INDO, delivering a mural that shifts from static image to immersive experience.
Spanning approximately 27 metres, the work is engineered to engage:
A bold PORT MAC typographic anchor grounding the space in identity
A life sized butterfly inviting interaction and symbolism
A painted swing seat blurring illusion and reality
A central portrait adding emotional depth and street authenticity
The result is deliberate:
The mural is not viewed. It is used, experienced, and shared.
Media & Public Narrative
A City Level ActivationCoverage from News Of The Area captured the shift during events like ArtWalk
Port Macquarie, where Phillips Lane emerged as a focal point of activity.
The laneway was described as:
Bursting with colour, creativity and energy
Drawing diverse crowds across all age groups
Functioning as an Instagram Alley
Hosting live art, music, and community engagement
What was once a pass through became a destination.
Social Media Gravity
Designed for AmplificationThe mural’s interactive features are not accidental. They are strategically embedded to drive digital engagement, Built in photo moments
Optical illusions encouraging participation
Strong visual anchors that translate instantly online
Council strategy explicitly aimed to create a space that people would not just visit, but broadcast.
This is the shift:
The wall is no longer the endpoint.
The audience is the distribution channel.
Community Impact — Measurable, Not AbstractProjects like Phillips Lane demonstrate the real world value of interactive street art.
Increased foot traffic and local spend
Activated spaces draw consistent visitation, benefiting surrounding businesses.
Stronger identity and civic pride Public art creates emotional ownership.
People connect to place. Improved safety and reduced vandalism
Well executed murals are respected, often reducing tagging and antisocial behaviour.
The Strategic OutcomePhillips Lane has evolved from:
Utility to experience
Hidden to discoverable
Transit to destination
And at the centre of that transformation is a mural designed not as decoration, but as catalyst.
Final Positioning (Mac Style)Phillips Lane proves a larger point.
When executed at a high level and backed by aligned government funding,
a mural becomes infrastructure.
It becomes:
a branding asset for a city
a magnet for attention
a platform for community connection
a driver of economic movement
In collaboration with Port Macquarie-Hastings Council and funded through Transport for NSW,
INDO’s work in Phillips Lane does not just transform a wall.
It redefines what that wall is worth.
Port Maquarie News
https://www.portnews.com.au/story/8956936/artwalk-2025-transforming-port-macquaries-laneways/
Mural Wall Size: 27m x 3m ( 81 square Meters )
Turn Around time: 5 days
In the heart of Port Macquarie, a once overlooked service corridor has been transformed into a high impact cultural destination. The Phillips Lane mural project, led by Port Macquarie-Hastings Council and supported by the Transport for NSW, represents a clear evolution in how cities think about public space.
This is not beautification. This is urban strategy through art.
Funded With Intent
Where the Project Came FromThe activation of Phillips Lane, including INDO’s mural, was made possible through NSW Government placemaking funding, specifically programs such as the Permit Plug and Play Pilot Program delivered via Transport for NSW.
The objective was precise:
Reimagine underutilised urban spaces, Increase foot traffic and local economic activity,
Support creative industries, Build Insta worthy destinations that amplify organically
This positions the project as more than a creative exercise. It is government backed cultural infrastructure.
The INDO Contribution
Built for InteractionAt the centre of Phillips Lane sits the work of INDO, delivering a mural that shifts from static image to immersive experience.
Spanning approximately 27 metres, the work is engineered to engage:
A bold PORT MAC typographic anchor grounding the space in identity
A life sized butterfly inviting interaction and symbolism
A painted swing seat blurring illusion and reality
A central portrait adding emotional depth and street authenticity
The result is deliberate:
The mural is not viewed. It is used, experienced, and shared.
Media & Public Narrative
A City Level ActivationCoverage from News Of The Area captured the shift during events like ArtWalk
Port Macquarie, where Phillips Lane emerged as a focal point of activity.
The laneway was described as:
Bursting with colour, creativity and energy
Drawing diverse crowds across all age groups
Functioning as an Instagram Alley
Hosting live art, music, and community engagement
What was once a pass through became a destination.
Social Media Gravity
Designed for AmplificationThe mural’s interactive features are not accidental. They are strategically embedded to drive digital engagement, Built in photo moments
Optical illusions encouraging participation
Strong visual anchors that translate instantly online
Council strategy explicitly aimed to create a space that people would not just visit, but broadcast.
This is the shift:
The wall is no longer the endpoint.
The audience is the distribution channel.
Community Impact — Measurable, Not AbstractProjects like Phillips Lane demonstrate the real world value of interactive street art.
Increased foot traffic and local spend
Activated spaces draw consistent visitation, benefiting surrounding businesses.
Stronger identity and civic pride Public art creates emotional ownership.
People connect to place. Improved safety and reduced vandalism
Well executed murals are respected, often reducing tagging and antisocial behaviour.
The Strategic OutcomePhillips Lane has evolved from:
Utility to experience
Hidden to discoverable
Transit to destination
And at the centre of that transformation is a mural designed not as decoration, but as catalyst.
Final Positioning (Mac Style)Phillips Lane proves a larger point.
When executed at a high level and backed by aligned government funding,
a mural becomes infrastructure.
It becomes:
a branding asset for a city
a magnet for attention
a platform for community connection
a driver of economic movement
In collaboration with Port Macquarie-Hastings Council and funded through Transport for NSW,
INDO’s work in Phillips Lane does not just transform a wall.
It redefines what that wall is worth.
Port Maquarie News
https://www.portnews.com.au/story/8956936/artwalk-2025-transforming-port-macquaries-laneways/
© 2026 INDO the Artist
Services
- Murals
- Street Art
- Graffiti Murals
- Illustration Art
Locations
- Mid North Coast Murals
- Sydney Murals
- Inner West Sydney Murals
- Northern NSW Murals
- Port Macquarie Murals
Mural
- Business Indoor Murals
- Feature Wall Murals
- Public Art & Council Murals
- School & College Murals
- Large Scale Outdoor Corporate Murals